In my Muslim Women Writers course, we have now read our third text: Nawal el Saadawi's The Fall of the Imam. I always hesitate to say we have finished reading any work of literature.
I had taught The Fall of the Imam years ago, in my Post-colonial Literature course. Reading it now, I see clearly how it weaves together recurring accounts of what appears to be a dream or a nightmare in a social system ruled by the Imam, supposedly in accordance with shariah.
The rule of the Imam is one of terror, whose claims of piety are hypocritical. In certain respects, The Fall of the Iman evokes Kafka's writing and the existentialist notion of the absurd. The Imam's regime appears formidable, but it is haunted by intense feelings of insecurity, perpetually lashing out at real or imagined enemies.
The main character is a woman who is hounded by the male accomplices of the Imam seeking to punish her for alleged offences. These men's zeal in what they believe is defence of Islam expresses itself in the cruel oppression of women. They believe that independent or disobedient women have to be punished, and the recurring image I have mentioned dwells on such punishments.
The Fall of the Imam does not lend itself to easy, straightforward analysis. Drawing from and incorporating familiar traditions such as Islamic and Christian doctrines as well as Arabic folklore, it is an intriguing feat of the imagination and a caustic critique of religion and society.
I had taught The Fall of the Imam years ago, in my Post-colonial Literature course. Reading it now, I see clearly how it weaves together recurring accounts of what appears to be a dream or a nightmare in a social system ruled by the Imam, supposedly in accordance with shariah.
The rule of the Imam is one of terror, whose claims of piety are hypocritical. In certain respects, The Fall of the Iman evokes Kafka's writing and the existentialist notion of the absurd. The Imam's regime appears formidable, but it is haunted by intense feelings of insecurity, perpetually lashing out at real or imagined enemies.
The main character is a woman who is hounded by the male accomplices of the Imam seeking to punish her for alleged offences. These men's zeal in what they believe is defence of Islam expresses itself in the cruel oppression of women. They believe that independent or disobedient women have to be punished, and the recurring image I have mentioned dwells on such punishments.
The Fall of the Imam does not lend itself to easy, straightforward analysis. Drawing from and incorporating familiar traditions such as Islamic and Christian doctrines as well as Arabic folklore, it is an intriguing feat of the imagination and a caustic critique of religion and society.
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