A Course on Muslim Women Writers

I am delighted that in the spring, 2016, I will be teaching a new course, "Muslim Women Writers." Having taught works by Muslim women writers like Mariama Ba, Nawal el Saadawi, Alifa Rifaat, and Leila Aboulela, mostly under the rubric of Post-colonial Literature, I have decided to create a course devoted solely to such writers.

The Muslim world is perhaps the least understood or most misunderstood part of the world among Americans, who tend to see it as homogeneous, and to whom the very name Muslim conjures up images of religious fanaticism and terrorism. They tend to imagine Muslim women as perpetually veiled or burka-clad, suffering in silence under archaic religious and cultural traditions. That there is a longstanding tradition of writing by Muslim women in languages such as Urdu, Arabic, Turkish, Hausa, Swahili, French and English is not well known among Americans.

This course will explore the prevailing misconceptions. With a focus on writings in English and some translations, we will discuss writers from Bangladesh, Pakistan, Egypt, Sudan, Senegal, and the USA, in the context of Islam, Orientalism, Islamophobia, and Islamic feminism. It will illuminate the ways Muslim women writers imagine and interpret their condition within the framework of culture, religion, and gender.

 

Teaching "Twilight in Delhi"

My South Asian Literature class in now comfortably underway, in its fourth week. We started with Mulk Anand's Untouchable, which I have taught many times. We then studied Ahmed Ali's Twilight in Delhi, which I had not read before.

Reading Twilight in Delhi in the wake of Untouchable has been a valuable experience, a broadening of horizons. While Untouchable relates the experience of Indian Hindus, Twilight in Delhi deals with Indian Muslims.

Never having read a novel about the world of Indian Muslims, I found Twilight in Delhi refreshing. Fortunately, I know something about Islam, especially coming from Tanzania, a country where about half of the population is Muslim and about half Christian.

I spent considerable time explaining Islamic principles to my students, as a way of establishing the groundwork for discussing Twilight in Delhi. I described the five pillars of Islam and showed three videos: this one, which presents the Islamic call to prayer; this recitation of the Quran; and a small boy's recitation of Surah Yasin.

Twilight in Delhi deals with such themes as patriotism, love, and marriage. It portrays family life, wedding customs, healing and burial practices. From its very beginning, Twilight in Delhi exudes nostalgia for the Delhi of the past, whose grandeur and magnificence fell apart as a result of British rule.

This novel presents the fate of Delhi as a metaphor for the human condition. In ways reminiscent of existentialist writings, characters in Twilight in Delhi contemplate and talk about the meaning of life and the transience of human achievements. This reminds me of Al-Inkishafi, the classic Swahili poem, which reflects on the demise of the old famous Swahili cities, making us wonder about the meaning of life itself.