The Africa Network 2017 Conference

From September 29 to October 1, the Africa Network held its conference here at St. Olaf College. About 50 scholars came together to discuss various topics concerning African studies in the undergraduate curriculum. We talked about study away programs, globalization, Afropessimism, and Afropolitanism. We heard presentations on teaching Africa through simulation, collaboration and fieldwork.

We talked about the necessity of studying and teaching Africa on its own terms, not through foreign perspectives. We talked about teaching and studying that inculcate empathy. We talked about misconceptions and stereotypes about Africa, such as the idea of tribe.

We explored the situation of Americans taking students on study abroad or internships in Africa. The point was raised that in such situations, local professors should teach the American students and the American professors who accompany the students should be taking notes, not teaching. I think, however, that professors should be able to both teach and learn.

There were topics that I had not encountered at previous Africa Network conferences, such as entrepreneurship, African sport history, and teaching Africa in Scandinavian studies courses. The issue of cultural differences came up again and again. This issue interests me in a special way as a cultural consultant.

I had proposed that Papa's Shadow, a documentary on Hemingway in East Africa, be introduced at the conference. This documentary is largely based on a study abroad course I taught in Tanzania titled "Hemingway in East Africa." We invited Jimmy Gildea, who had taken that course and produced the documentary. He showed a trailer of Papa's Shadow and trailers of two other Africa-related documentaries: one on Sudanese refugees at Kakuma refugee camp, Kenya, and the other on me presenting African storytelling.

Papa's Shadow features an extended conversation between Patrick Hemingway, the only remaining child of Ernest Hemingway, and me, discussing Hemingway's travels in East Africa, his writings about that experience, and his philosophy of life, writing and other matters, such as hunting, which he thought of as an artistic pursuit, alongside bull fighting.

One of the main aims of the Africa Network is to facilitate the sharing of academic, pedagogical and other resources. At this conference, an open access digital pedagogy journal was launched by editors Matt Carotenuto and Fiona Vernal.

From all accounts, this was a very successful conference in many ways, including the quality of presentations and the good number of attendees. The Africa Network continues to attract new scholars year after year.

I appreciate the experience I have gained of working on the conference planning committee, and I thank fellow committee members--Matt Carotenuto, Anene Ejikeme, Fiona Vernal and Todd Watkins. I thank St. Olaf College for readily taking on the role of conference host and ensuring that the conference went smoothly.

A Conversation With Patrick Hemingway

Today, I called Patrick Hemingway, largely to wish him a happy birthday, which was June 28. I called him on that day, in the evening, but failed to reach him. Today I was lucky. As usual Carol received the call and called Patrick to the phone.

First I greeted him in the proper Tanzanian way, "Shikamoo." He responded in his usual jovial manners, and when I told him "Happy Birthday," he was pleasantly surprised that I remembered the day. I told him that the date is imprinted in my mind and makes me recall my visit to the Kansas City home where he was born.

As usual, we started talking about books. Patrick mentioned a book by an Israeli writer, Sapiens: A Brief History of Humankind, and wondered whether I knew about it. I told him I didn't, and he talked about it in glowing terms. He then asked if I had read the Ghanaian novel, Homegoing, winner of the 2017 Pen/Hemingway Prize. I told him I had not read it, but had recently received a copy, since I am going to teach it in a summer course on African Literature. He said he liked it very much.

I told Patrick that I was recently in Baltimore, and had bought, in a nearby town, a new book on Hemingway, which dwelt on his career in espionage. I said that whenever I go into a bookstore, I first look at the Hemingway section. He said he does the same. He asked for the title of the book, but I did not have it with me. He asked me to tell him about it after I finish reading it, so he could determine its worth.

I have the sense, from my numerous conversations with Patrick, that he is keenly aware of the shortcomings of writers on Hemingway, even reputable researchers. On the theme of Hemingway and espionage, he shared with me some interesting facts. He said, for example, that Hemingway took him and his young brother on board his boat, which he used to hunt for German submarines in the Caribbean Sea.

I told Patrick that I knew about this boat, called Pilar, but didn't know that his father had taken him and Gregory on board. Patrick also gave me a broader picture of what was going on at that time. The German submarines were active on the eastern side of the USA, seeking to sink oil tankers destined for Europe. Patrick told me this was called Operation Drumbeat. He also talked about what was going on in the Pacific at the time, and in Spain, when Hemingway was there. His remarks inspired me to read the book I had told him about, Writer, Sailor, Soldier, Spy: Ernest Hemingway's Secret Adventures, 1935-1961, by Nicholas Reynolds.

We talked about Hemingway's relationship to folklore. I don't recall how we got into this, but Patrick noted that Hemingway owned The Golden Bough, and I mentioned Hemingway's short story, "The Good Lion," which imitates the narrative technique of a folktale. I said that in teaching my course on Hemingway in East Africa, I had discussed this tale as an example of Hemingway's appropriation of folklore.

I told Patrick that I want to write a book on Hemingway and Africa, which would project my perspective which he knows very well, from our phone conversations and the documentary film, Papa's Shadow. Patrick said he will be waiting to read the book, adding that he was flattered that I chose to study Hemingway, when I could have chosen another writer. That is the Patrick I know, always unassuming and big-hearted.

A Gift From Ramble Pictures Honouring Hemingway

A few days ago, I received a special gift from Ramble Pictures, a film production company based in Minneapolis, Minnesota. It is a framed picture announcing a documentary titled Papa's Shadow, which deals with Hemingway in East Africa. Much of the documentary is a conversation between Patrick Hemingway and me about Hemingway's African experiences as reflected in his writings, as well as his ideas about writing, culture, and life in general.

The picture features Ernest Hemingway, Patrick Hemingway and me, as well as Mount Kilimanjaro, the vast plain below it, and a plane in the air. This scenery magnificently evokes Hemingway's famous short story, "The Snows of Kilimanjaro."

I am humbled to be featured alongside Ernest Hemingway, one of the greatest writers in the English language, as well as Patrick Hemingway, his son and only remaining child, who knows my country and East Africa very well, having lived there for twenty five years, and who has been my mentor in my efforts to study Ernest Hemingway.

I am equally humbled that Patrick is also a great admirer of my work, such as my book, Africans and Americans: Embracing Cultural Differences. In Papa's Shadow, Patrick refers to it and he is seen reading a passage from it, in Swahili and my English translation.

Papa's Shadow focuses on a dimension of Ernest Hemingway that is not well known: his life long fascination with Africa. In the course of studying Hemingway, I realized this deficiency and decided to create a course, Hemingway in East Africa, which inspired Jimmy Gildea, one of the students, to create Papa's Shadow. I highly recommend this documentary. To order it, contact Ramble Pictures. email: info@ramblepictures.com, telephone: (952) 426-5809.

My Book Donation to "Papa's Shadow"

During the recent Ramble Pictures fundraising campaign for the documentary film, Papa's Shadow, I contributed a little money and copies of my book, Africans and Americans: Embracing Cultural Differences. to be given to donors who gave 200 dollars and above.

Today, Jimmy Gildea, founder of Ramble Pictures and maker of Papa's Shadow, who was one of the students in my Hemingway in East Africa course, visited me at St. Olaf College as we had agreed, to get the books. I signed five copies, and we had some time to talk about Ernest Hemingway, our visit to Montana, the fundraising campaign, and so forth.

Jimmy also took the opportunity to film some footage of me reading Green Hills of Africa and taking a short walk in St. Olaf College's quadrangle. Jimmy wondered if I had any photos from my childhood or younger days. I could tell he was keen to add these elements to Papa's Shadow, although it is a wonderful documentary as it is. I know because I have seen it.

Papa's Shadow will be released soon, Jimmy believes, probably in February. It is not a work of fiction but a documentary on the life, travels, writing, and philosophy of Ernest Hemingway, especially as pertaining to his East African safaris in 1933-34 and 1953-54. Much of it is a conversation on these topics between me and Patrick Hemingway, the only remaining child of Ernest Hemingway. I can hardly wait for the release of this documentary to the world.

If You Like My Writing, Please Support "Papa's Shadow"

I know there are thousands of readers of  my writings out there, thousands who have read my book, Africans and Americans: Embracing Cultural Differences. A number of these have told me how much they like this book.

One of them is Patrick Hemingway, the only remaining child of Ernest Hemingway. Having lived for much of his adult life--over twenty years--in my country, Tanganyika (later Tanzania), he knows exactly what I am saying in this book, which he calls "a tool of survival."

I wish to let my dear readers know that I have joined hands with Patrick Hemingway to share our reflections on his famous father. We appear in a documentary film by Jimmy Gildea titled Papa's Shadow, discussing Ernest Hemingway's life, travels, writings, and thoughts, especially those connected with his African experiences in 1933-34 and 1953-54.

If you have read my Africans and Americans book, you will enjoy hearing Patrick Hemingway mentioning it and reading from it as he and I talk about Hemingway's appreciation of different cultures.

Papa's Shadow is a unique documentary. It will change the way people view Ernest Hemingway. I saw this a few weeks ago at its premiere screening in Minnetonka, a suburb of Minneapolis.

The documentary is completed, but it will only be released after certain costs are  met. There is a fund drive going on, scheduled to end just over a week from now. As a contributor to this effort, I am joining hands with Ramble Pictures, the company that Jimmy founded, to solicit the remaining contributions. There are special incentives attached to the contributions, including a signed copy of my Africans and Americans book, for contributions over 200 dollars.

Read more about Papa's Shadow, and, if you can, make your contribution at this Kickstarter site.

International Festival Faribault, August 22

August 22, 2015, the International Festival Faribault will take place in Faribault, Minnesota. This will be the 10th year of the festival, which brings together the various nations represented in Faribault, to share their cultures and foster mutual understanding.

I have already signed up as a participant. I will have a table where I will display my books and talk with people about my work as an educator, writer, and cultural consultant. I consider events of this kind an extension of my classroom, whose spirit of give-and-take is highly rewarding. What I learn on these occasions enriches my teaching in various ways.

The International Festival Faribault is an opportunity to meet people from different parts of the world and to see the cultural items and other things they display, watch their performances, and sample their foods. Year in and year out, I have found the conversations with different people enlightening.

This year, I will also talk about a documentary film on Ernest Hemingway titled Papa's Shadow, produced by Jimmy Gildea, a 2014 alumnus of St. Olaf College, who was one of the students who came to Tanzania in 2013 on my Hemingway in East Africa course. The documentary features me in conversation with Patrick Hemingway, the only remaining child of Ernest Hemingway, born in 1928. We are talking about Hemingway's life, travels, and writings, especially those concerning East Africa.

Hemingway was an avid world traveler, who was genuinely interested in, and respectful of, other cultures. As an African, I like sharing my great admiration for Hemingway's lifelong fascination with Africa, an aspect that is not well acknowledged by readers and scholars alike. Indeed, Hemingway exemplified the kind of spirit the International Festival Faribault stands for.

Another Conversation With Patrick Hemingway

On May 22, I called and talked with Patrick Hemingway again. I wanted to tell him about Papa's Shadow, Jimmy Gildea's documentary about Ernest Hemingway, which drew from my Hemingway in East Africa course. He was happy to know that he will soon be able to see the documentary. When I told him that I had watched and liked it, he said: "Since you liked it, we will like it too." He meant his wife Carol and himself.

As always happens when I call Patrick, we talked about many things, from his time in Tanganyika (later Tanzania), including places such as Iringa, Rukwa, Babati, Moshi, Dar es Salaam and Pangani. We talked about his father, Ernest Hemingway's experiences, from bull fighting in Spain to fighting tsetse flies in the Tarangire National Park, Tanzania.

I told Patrick that, as we were talking, I had, in front of me, the book Hemingway on Hunting, which carries his Foreword. That led us to talking about Hemingway's ideas on hunting, and I said I like to think of Hemingway as a philosopher, since he theorized about hunting and defined true hunting as  as an artistic pursuit, contrasting it with what he called shootism.

To my great amazement, Patrick told me that a new edition of Green Hills of Africa is in the pipeline, and that it contains his mother Pauline Hemingway's diary, which she wrote during the 1933-34 trip with Hemingway in Tanganyika. I was thrilled to hear this. I told Patrick that I knew about this diary and that for years I had been thinking about going to Stanford University where it is kept, to read it.

We dwelt on Hemingway's encounter with the person he calls Kandinsky in Green Hills of Africa. who was actually a real person, Hans Koritschoner, an ethnologist popularly known as Hans Cory. We talked about how, after his encounter with Kandinsky, Hemingway traveled to Tanga and onwards to Lamu, on the Kenya coast.

We talked for one hour and fifteen minutes. As usual, when I spend so much time talking with Patrick, I start thinking about his age, fearing that I might be straining him too much. I start telling myself that perhaps I should suggest that we end our conversation and talk another day. Accordingly, I cautiously mentioned that I was afraid of tiring him out and that perhaps we should talk another day.

Patrick quickly calmed my fears, saying there was really nobody for him to talk with about Africa. He said that people tell him about their trips to Africa and all they talk about is the animals. With that, we continued our conversation. He continued sharing with me his memories and ideas about many things, such as the experience of colonialism in Africa, relations between Europe and the Americas, the problems of urbanization in the world and the state of African cities, the migrations of animals in south Africa and in the southern highlands of Tanganyika.

There is no way I can report in this blog post everything we talked about. I need only express, once again, my admiration for Patrick's prodigious memory and my gratitude for his graciousness and generous spirit.

(The photo above was taken on April 27, 2013, at Patrick Hemingway's home in Craig, Montana).

Papa's Shadow: A Hemingway Film by Ramble Pictures LLC

A 2014 graduate of St. Olaf College, Jimmy Gildea has embarked on a career in filmmaking. After several years of hard work, he has produced Papa's Shadow, his first film (2015 Ramble Pictures, LLC). He is already working on his next one, "A Place Called Nowhere," about refugees at Kakuma refugee camp in Kenya.

Since, alongside Patrick Hemingway, the only surviving child of Ernest Hemingway, I feature prominently in Papa's Shadow, I will let others comment on it. However, the film comes with the following description:

FEATURING AN EXCLUSIVE TESTIMONY GRANTED BY HIS SON, PATRICK HEMINGWAY, PAPA'S SHADOW DIVES HEAD FIRST INTO AUTHOR ERNEST HEMINGWAY'S HUNTING EXPEDITIONS IN EAST AFRICA AND THEIR DEFINING ROLE IN SHAPING A LEGEND.

YOUNG FILMMAKER JIMMY GILDEA DOCUMENTS HIS EXPERIENCE WHILE STUDYING HEMINGWAY UNDER THE INSTRUCTION OF AFRICAN AUTHOR JOSEPH MBELE, JOURNEYING ACROSS MIDWEST AMERICA, THROUGH THE SERENGETI PLAIN AND UP THE STEEP CLIFFS OF MT. KILIMANJARO.

HEMINGWAY'S SON PATRICK AND MBELE ENGAGE IN AN INSPIRATIONAL AND REVEALING CONVERSATION REGARDING THE FAMOUS AUTHOR'S FASCINATING RELATIONSHIP WITH EAST AFRICA.

THIS PERSONAL AND EMOTIONAL FILM EXPOSES MANY ANSWERS TO QUESTIONS HEMINGWAY FANS HAVE ALL BEEN WAITING FOR.

Jimmy and I have been in constant communication from the time he enrolled in my Hemingway in East Africa course, several years ago. We took the photo featured here on April 21, 2015, when he visited me at St. Olaf College to talk about Papa's Shadow.

Jim says that these films will be premiered at festivals in America throughout the year. Eventually, they will be available for purchase. I will keep readers of this blog posted on these developments.